- #SOURCE FILMMAKER CAMERA CONTROLS FOR MAC#
- #SOURCE FILMMAKER CAMERA CONTROLS ZIP FILE#
- #SOURCE FILMMAKER CAMERA CONTROLS SERIAL#
- #SOURCE FILMMAKER CAMERA CONTROLS PC#
- #SOURCE FILMMAKER CAMERA CONTROLS SERIES#
You have total control over all visual elements (focus, iris, zoom, exposure, etc.), and the PTZs even function well in low light. Broadcasting specifications are clearly spelled out and both cameras clearly excel in this area. I was slightly out of my comfort zone-and without help from JVC, I would have had a much more difficult time.įor broadcasting, the PTZ cameras compete with anything out there.
#SOURCE FILMMAKER CAMERA CONTROLS FOR MAC#
While a Mac version of the software should be available soon, setup is currently a bit more complicated for Mac users.
#SOURCE FILMMAKER CAMERA CONTROLS PC#
The PC software makes setup much easier you can probably make everything function quickly and without a technician.
Using the networked JVC PTZ cameras and controller is an easy way to stream to Facebook, YouTube, or almost anywhere. The wireless remote and the built-in GUI also allow access to the camera functions, but the controller is much more convenient. To stream on Facebook Live, I copied and pasted the information into the URL and chose “on,” “video,” and “audio.” Within moments, my stream was live on Facebook, and I could control both cameras with the controller. Once I finished those steps, I selected “network” and filled in the rest of the information for the second camera and remote control. Once the IP address is displayed on your monitor (connected via an HDMI cable), you need to go to JVC’s Web GUI to manually enter your information for that piece of equipment.
#SOURCE FILMMAKER CAMERA CONTROLS SERIES#
First, you need to determine the IP address of each camera by pressing a series of keys on the remote control. At the time of this writing, a Mac version is in the development phase-but until it is available, setup will require jumping through several proverbial hoops. You can also download the KY-PZ200/400 setup guide, which clearly explains the setup and operation of the “upgrade_v2.9.3 zip with pictures,” from the JVC website.īeing a Mac user, it was not quite so easy. This is an extremely easy way to set your camera(s) so they are ready to stream.
#SOURCE FILMMAKER CAMERA CONTROLS ZIP FILE#
Go to the bottom of the zip file to upgrade_standard.exc. If you’re using a computer with a Windows operating system, download JVC’s IP address setup tool, which will give you access to the upgrade_v2.9.3.zip file. With everything hardwired together, the cameras needed their respective IP addresses for streaming. JVC’s interface makes it easy to setup your video streaming. A fourth Ethernet cable went from the back of the FS116 to my modem. With another Ethernet cable, I connected the FS116 to the LAN input on the LP100. When a 802.3af PoE switch is used, the switch will also provide power to the camera, which eliminates the need for the AC adapter-a great feature for installations in places with no access to AC power. When the standby light goes off and the blue power light illuminates, you’re ready.īecause I was using two cameras and the RM-LP100, I needed to connect an Ethernet cable from the back of each camera to a Netgear FS116 switch. When you plug in the AC cord, each PTZ camera performs its own setup by rotating, panning, and tilting. Of course, it takes more effort to produce high-end visuals. As a filmmaker, I believe the viewer will get more out of the presentation if it looks professional. Most viewers are focusing (pardon the pun) on what’s being said, not the production values. My gripe with much of the content on the Web is that the video quality is poor. Thankfully, you can adjust the frame rates and resolutions so the cameras will match. I could have used the PZ400’s UHD capabilities in one room and the PZ200’s HD in another, but the sizes of the rooms were too similar to go the extra 4K mile. My desire was to have the end product look as good as if I were shooting it in a TV studio. My testing opportunity was to record events that were happening in two different rooms in my home for a Facebook Live event.
Obviously, you can purchase cheaper equipment, but as the adage goes, you get what you pay for. What struck me in the very beginning was how sharp the picture looked from each of these cameras.
#SOURCE FILMMAKER CAMERA CONTROLS SERIAL#
The rear panel includes the power switch, 12V DC input, Ethernet port, USB service port, multi-pin tally, serial input connector, and eight selectable I/O function switches.īoth cameras are high enough quality for broadcast applications as well as corporate work. The top panel has large, easy-to-see buttons, as well as a pan/tilt joystick, zoom rocker switch, and seven-inch touchscreen. The RM-LP100 supports IP control of up to 100 cameras and stores up to 100 presets. The RM-LP100 IP can control of up to 100 cameras and stores up to 100 presets.
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